With two July exhibitions looming and a stack of 2in ash left over at college, I’m currently at the design stage for a side table to go with the “Two Tone Throne” [or, chair!!] that I’ve been making this year. My chair will feature at both exhibitions although, as I’m paying a bit extra for the Inspire show (several days after Furnish) and each maker/artist is allowed to exhibit two pieces, I feel it makes sense to try and produce one other piece within the time I have left; something that won’t have been exhibited elsewhere.
…Plus, I honestly do not have the space to store several cubic feet of spare English ash – I still have some brown oak left over from last year’s table and a load of regular oak boards from a couple of previous jobs!! 😀
Here’s a brief reminder of how the chair was looking a few weeks ago, before I’d dry-fitted the arms:
Notice the use of contrasting timbers – not only the ash and walnut; but also, the different shades within the grain of the ash. All legs and rails are also curved.
This is my initial concept for the table:
Clearly, I’m trying to retain some of the curved features. All legs are curved in a similar way to the front legs on the chair. It would’ve been interesting if all legs were set at a 45° angle but then, I’d have the problem of 45° shoulder cuts and mortises – along with all that shaping! Dimensions aren’t critical at this stage but I think the proportions are almost right… Maybe it’s a little too tall? I think the stretchers would be necessary if I am to two of the four sides ‘open’ with no interior framework. Should I try and fit a shelf in somewhere?
For me, several narrow slats (perhaps even of varying widths and shapes, as on the chair back) works better than a few wider ones:
It is looking very Arts & Crafts like this (I am a fan of that style of furniture).
How I decide to do the top could be crucial as to how well this table blends in with the chair design. So far, there’s not a hint of English walnut anywhere and I don’t have many 2in offcuts left either. There should be enough to do some book-matching; maybe even veneering to some MDF – now that I have the bandsaw to handle such a task!! 😉 I think it needs to remain square. Tapering it or creating any other kind of shape to match the seat might look odd, if someone was viewing this piece as a potential free-standing unit (and not as part of a set or collection). Also, it may complicate some of the construction details (angled tenon shoulders, again).
An echo of the stretcher rail construction:
This would present a strong case for slicing a few walnut veneers, with the risks associated expansion and contraction, where the grain runs perpendicular to the edge lippings. I think it could work and it would certainly be more appealing than a boring ash top!
I’d like to get the design sorted this month, so that I can start roughing out the timber at college before bringing it all home to work on through June (course finishes at the end of June). Most of the ash I have left now is fairly pale and comes from that area between the sap and heartwood… So, for the sake of not wasting good wood, I may also decide to stain a few bits so they blend in with the heartwood used on the chair (there wasn’t much usable heartwood left over, due to splitting).
All feedback, thoughts are opinions would be greatly appreciated. The more the merrier, as they say! 🙂
Thanks for reading.